In this episode of Chords & Curves, I sits down with Fregmethazine to talk one of the biggest questions in modern music production: Should you create music in a DAW, or on hardware?

Stop focusing on streaming and results. Focus on the process. In this video I talk about why that's important, especially in 2026 as we see AI music increase.

In November, I made a beat every single day using the KO II by ‪Teenage Engineering and it completely changed the way I think about drums, groove, sampling, and effects. I'm sharing biggest lessons from this challenge and how the KO II improved my workflow as a lofi producer.

In this video, I dive into The Return of the Blues Brothers: The Escape of Joliet Jake. Made in partnership with ‪Z2 Comics . It's a wild, music-packed entry in the Blues Brothers saga.

Start 2026 with clarity, momentum, and confidence. In this video I share tips on what artists should do during December 2025 to make 2026 a smooth year. — from finding your sound to building your brand, writing your bio, setting goals, strengthening your DAW skills, planning releases, creating consistent routines, and organizing the business side of being an artist. This is your full 2026 artist prep guide — let’s get ahead together.

Big Rig issue 4 answers a lot of questions as The Trucker and his team faces off the devil herself However, does the massive battle answer more questions? Or are we faced with even more questions than before.

This month I’m challenging myself to make a new lofi beat every day using the KO II by Teenage Engineering. In this video, I unbox the KO II, share my first impressions, and explain how this daily challenge is helping me reconnect with the roots of lofi and hip hop production. Follow along as I explore new sounds, textures, and creative limits!

From Nicki Minaj on Steven Universe to Tyler the Creator and Childish Gambino on Regular Show, Cartoon Network once opened doors for musicians to step into animation and reach young audiences in novel ways. But those opportunities have faded. In this video, I'll celebrate those moments and the impact they had. I’ll also propose ways cartoons could bring back guest-artist collaborations.

Tame Impala’s new album Deadbeat marks a major sonic shift — trading in the lush, electronic swirl of Currents and The Slow Rush for a more grounded, acoustic sound. Songs like Loser and Dracula highlight this new balance between organic percussion and subtle synth textures.

Vinyl records are making a comeback — and not just for music lovers. At New York Comic Con, the Mighty Crab Joys vinyl from Superman and San Diego Comic Con’s red Tron exclusive proved that vinyl is becoming a must-have collectible for comic fans.

Tron: Ares surprised me — in a good way. The marketing made it look like a Jared Leto movie, but it’s really about much more. The story is solid, the music is incredible, and it builds on what came before in Tron Legacy. I gave it an 8/10 for its visuals, tone, and worldbuilding. If we ever want a sequel, people need to go see it. So please — check it out and support this movie.

In this exclusive NYCC 2025 interview, Vault Comics’ Adrian Wassel dives deep into Big Rig — the hit comic co-created with Post Malone. We talk about the massive panel at New York Comic Con, the creative process behind bringing Posty’s vision to life, and the care that went into crafting every detail of the story. Adam also teases what’s next for Big Rig, including the upcoming sequel and the passion driving the project’s evolution from comic to screen.

Nas, Marvel, and Mass Appeal joined forces at New York Comic Con 2025 to debut Legend Has It — a new comic series celebrating seven of New York’s most legendary hip-hop artists. Created by Brandon Thomas and Sanford Greene, this panel explored the fusion of hip-hop and comic book culture, the storytelling legacy behind the project, and the limited Whatnot exclusive variant available to fans.

Post Malone dropped into New York Comic Con 2025 with his Big Rig team from Vault Comics — including Nathan Gooden, Adrian Wassel, and Damian Wassel — for one of the con’s biggest panels. The team talked about the success of Big Rig, teased a movie adaptation, and officially announced a Big Rig sequel coming in 2026. If you haven't read BigRig, now is the perfect time to start!

In this video, I share my experience putting my first album “Things for You and Me” on vinyl through Elastic Stage . I’ll walk you through the full process — from ordering to unboxing — and talk about what made it such a positive and inspiring experience. If you’ve ever dreamed of pressing your own record, this video will give you insight into how simple and rewarding it can be.

Big Rig issue #3 takes the series to another level by expanding the world and giving us the backstories we’ve been waiting for. We now have more context about what’s happened in the past and what’s coming next for these characters. On top of that, the issue teases a massive battle with a demon who has their own vehicle—setting the stage for some wild conflicts ahead.

On today’s episode we welcome Marc Schmieder We talk about the challenges in writing music in Chillhop and Progressive Rock and what it takes to make a good cover as He has made several Nujabes covers.

As musicians and creators, we’re constantly pulled in a thousand directions — social media, deadlines, self-doubt, and the pressure to keep producing. ‪Stillness Is the Key is a guide that shows us why slowing down, reflecting, and embracing quiet is just as important as grinding in the studio.

Musicians have long used colors to define their sound, create iconic eras, and build community. From Prince’s purple to Olivia Rodrigo’s violet, The White Stripes’ red/white/black, and Charli XCX’s brat green—color creates instant recognition for fans. Let's dive into how colors work and why musicians use them.

Beatober sounds fun—a beat every day for a month—but the truth is it often leads to burnout, discouragement, and wasted energy. In this video I’ll share why Beatober isn’t sustainable for most producers, how to make it work without draining yourself, and what to do instead to grow as an artist.