From Nicki Minaj on Steven Universe to Tyler the Creator and Childish Gambino on Regular Show, Cartoon Network once opened doors for musicians to step into animation and reach young audiences in novel ways. But those opportunities have faded. In this video, I'll celebrate those moments and the impact they had. I’ll also propose ways cartoons could bring back guest-artist collaborations.

Tame Impala’s new album Deadbeat marks a major sonic shift — trading in the lush, electronic swirl of Currents and The Slow Rush for a more grounded, acoustic sound. Songs like Loser and Dracula highlight this new balance between organic percussion and subtle synth textures.

Vinyl records are making a comeback — and not just for music lovers. At New York Comic Con, the Mighty Crab Joys vinyl from Superman and San Diego Comic Con’s red Tron exclusive proved that vinyl is becoming a must-have collectible for comic fans.

Tron: Ares surprised me — in a good way. The marketing made it look like a Jared Leto movie, but it’s really about much more. The story is solid, the music is incredible, and it builds on what came before in Tron Legacy. I gave it an 8/10 for its visuals, tone, and worldbuilding. If we ever want a sequel, people need to go see it. So please — check it out and support this movie.

In this exclusive NYCC 2025 interview, Vault Comics’ Adrian Wassel dives deep into Big Rig — the hit comic co-created with Post Malone. We talk about the massive panel at New York Comic Con, the creative process behind bringing Posty’s vision to life, and the care that went into crafting every detail of the story. Adam also teases what’s next for Big Rig, including the upcoming sequel and the passion driving the project’s evolution from comic to screen.

Nas, Marvel, and Mass Appeal joined forces at New York Comic Con 2025 to debut Legend Has It — a new comic series celebrating seven of New York’s most legendary hip-hop artists. Created by Brandon Thomas and Sanford Greene, this panel explored the fusion of hip-hop and comic book culture, the storytelling legacy behind the project, and the limited Whatnot exclusive variant available to fans.

Post Malone dropped into New York Comic Con 2025 with his Big Rig team from Vault Comics — including Nathan Gooden, Adrian Wassel, and Damian Wassel — for one of the con’s biggest panels. The team talked about the success of Big Rig, teased a movie adaptation, and officially announced a Big Rig sequel coming in 2026. If you haven't read BigRig, now is the perfect time to start!

In this video, I share my experience putting my first album “Things for You and Me” on vinyl through Elastic Stage . I’ll walk you through the full process — from ordering to unboxing — and talk about what made it such a positive and inspiring experience. If you’ve ever dreamed of pressing your own record, this video will give you insight into how simple and rewarding it can be.

Big Rig issue #3 takes the series to another level by expanding the world and giving us the backstories we’ve been waiting for. We now have more context about what’s happened in the past and what’s coming next for these characters. On top of that, the issue teases a massive battle with a demon who has their own vehicle—setting the stage for some wild conflicts ahead.

On today’s episode we welcome Marc Schmieder We talk about the challenges in writing music in Chillhop and Progressive Rock and what it takes to make a good cover as He has made several Nujabes covers.

As musicians and creators, we’re constantly pulled in a thousand directions — social media, deadlines, self-doubt, and the pressure to keep producing. ‪Stillness Is the Key is a guide that shows us why slowing down, reflecting, and embracing quiet is just as important as grinding in the studio.

Musicians have long used colors to define their sound, create iconic eras, and build community. From Prince’s purple to Olivia Rodrigo’s violet, The White Stripes’ red/white/black, and Charli XCX’s brat green—color creates instant recognition for fans. Let's dive into how colors work and why musicians use them.

Beatober sounds fun—a beat every day for a month—but the truth is it often leads to burnout, discouragement, and wasted energy. In this video I’ll share why Beatober isn’t sustainable for most producers, how to make it work without draining yourself, and what to do instead to grow as an artist.

Immerse yourself in gentle lo-fi beats designed for reading, relaxing, or studying. Soft instrumentals, a calm ambiance, and no distractions—just the right vibe. If you enjoy this mix, subscribe for more calming lo-fi sessions. Useful for: reading, concentration, chilling, rainy days, and winding down.

The Synth A Sette is one of the most unique controllers I’ve come across—it looks like a cassette tape but doubles as a portable synth. In this review, I explore whether its retro-inspired design is more than just a gimmick. While it’s undeniably fun to carry around and eye-catching to pull out in a session, the real question is whether it holds up as a serious music-making tool.

The Jimi Hendrix: Purple Haze graphic novel takes the legendary guitarist beyond the stage and into the cosmos, blending psychedelic art with the spirit of his music. In my review, I break down how the story and visuals capture Hendrix’s larger-than-life presence. While not flawless, the book offers a creative tribute that fans of both comics and classic rock will appreciate.

Lofi music and Stoic philosophy might seem worlds apart, but they share surprising similarities. Stoicism teaches calm, simplicity, and focus in the face of life’s chaos—values that many listeners find mirrored in the soothing imperfections of lofi beats. With its crackles, loops, and gentle rhythms, lofi creates a space for study, journaling, and reflection, much like the Stoics practiced daily. While lofi isn’t Stoicism itself, it offers a soundtrack that feels distinctly stoic: simple, mindful, and grounding in a noisy world.

As musicians, it’s easy to stay inside the comfort zone of the genre we write in. But some of the biggest creative breakthroughs happen when we step outside of it and explore other styles of music.

I recently tested out the VHS Home Video Flavor Box plugin from Audio Hertz, and while the UI is undeniably eye-catching with its nostalgic retro aesthetic, the sonic performance left me underwhelmed. The plugin only felt genuinely useful when placed on the master chain, where it added some character—but on individual tracks, its impact was minimal and sometimes clunky to dial in. If you're going for visuals, it's a win. But for workflow and versatility? There are better tools out there.

blue fields is the single from my upcoming album. Things for You and Me.